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The cinema being a highly creative art form, the notion of a standardized frame ratio didn't stop filmmakers from experimenting with different screen shapes. For the time being, let's just stick to the general principle. Almost all consumer televisions have some degree of overscan, causing the edges of the picture to be masked behind the frame of the screen. Keep in mind that the explanation I'm giving here has been simplified to its most basic concept. The difference between 1.37:1 and 1.33:1 was insignificant, and generally speaking this made for a pretty good fit. When television came along, it emulated the movies and gave us a screen with an aspect ratio of 1.33:1 (also expressed as 4:3). Films of this type measured at an aspect ratio of 1.37:1, which means that the picture was 1.37 times wider than it was tall.Īll things considered, this still looks basically square. Eventually, a standard emerged, known as Academy Ratio. Depending on the camera used, some were a little wider or a little narrower than others, but all were roughly squarish in appearance. To clear up this matter once and for all, I'd like to offer the following visual explanation for why movies are the shape that they are, and why the black bars will not and should not ever go away.Īt the dawn of the motion picture era, there was no single standardized aspect ratio for silent films. High Definition in fact has nothing at all to do with the shape of the movie. Now that we're watching movies in "High Definition," shouldn't Blu-ray or HD DVD rectify this by perfectly matching up with a High Definition television? Again, that turns out to not be the case. When that doesn't happen, some then assume that the issue is caused by the lower resolution DVD format. To this day, a great many people, upon buying their first HDTV, believe that since the set is "widescreen" that now all movies should automatically fill that screen. And yet, despite 10 years of getting used to the idea, a common misconception still persists that the black bars are a flaw of the DVD format, or some sort of incompatibility with older televisions, and that upgrading to an HDTV and either the HD DVD or Blu-ray formats will somehow "fix" this problem. The new generation of High Definition video discs have likewise carried on with this mission.
16:9 aspect ratios the godfather pc tv#
Boiled down to its simplest explanation, not all movies are photographed to look the same as one another, and that's why some will fill a TV screen while others are encoded with black bars. In laymen's terms, that means displaying movies in the proper shape in which they were originally presented theatrically. In that time, the fastest-growing, most popular home video format on Earth has been overwhelmingly supportive of the concept of Original Aspect Ratio. It's been a good decade since the DVD revolution first started.
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First up: Josh's illustrated answer to one of the most common questions asked by newcomers to the wonders of High-Def. Editor's Note: As part of his new bi-monthly column here at High-Def Digest, from time to time, Josh Zyber will be answering frequently asked questions related to High-Definition and both HD DVD and Blu-ray.